Emanuele Grossi is an Italian composer, improviser and sound artist based in Germany. His critical approach deals with the juxtaposition of different temporal and stylistic levels within a unified framework, often drawing close connections to the physical means of sound production, and self reflection on the musical performance act.
His musical research is focused on relationships and communication, elaborated through the process between composer-musician-public, and studying practices and characteristics coming from different musical and art traditions, as well as a peculiar use of electronic music, centered on the modification and interactions of live sound sources. The. output of this research goes to site specific interactive installation to electronic production, from speculative compositions to noise improvisation.
I´m curating and organizing, together with Neumerz and in collaboration with Atelier Anthrazit, a Series of guerrilla spirits, DIY concerts and Workkshops in Hannover, inviting brave artists to show -how they do it-
Noise, Impro, Live Coding, DIY Instruments, Drones and Ambient, we want to have a look at the root of sounds from a New, approach. Stay tuned und join the slump!
Infos coming on the NEUmerz website
OWT South East Asia Tour 2025
Yogyakarta, Indonesia — 18 November 2025 — Tuesday Louder
Yogyakarta, Indonesia — 19 November 2025 — Asmara Cafe
Yogyakarta, Indonesia — 22 November 2025 — PSBK
Nonkojajar, Indonesia — 26 November 2025 — Sendratani Festival
Pekanbaru, Indonesia — 29 November 2025 — Memekak
Taipei, Taiwan — 6 December 2025 — Revolver
Kuala Lumpur, Malaysia — 10 December 2025 — Khatulistiwa.noise
Singapore — 11 December 2025 — Hiddensessions
Kuala Lumpur, Malaysia — 12 December 2025 — Noise Frequencies, Moutou
Da Nang, Vietnam — 17 December 2025 — Spacegarden
Hanoi, Vietnam — 19 December 2025 — Anatolia
-23.07.2025 Hamburg, Hörbar-
Live Set
-4.7.2025, Hannover-
Piccola Napoli, a musical action
Graduation concert at the HMTMH
19.4.2025 OSCO, Hannover
The Womb #1.1, Live set
15.4.2025, Istanbul
Live Impro with FMSBW Studio
23.2.2025 IEM Cube, Graz
Speculative sound Synthesis, live performance - Impuls festival
25.03.2025 Volkshochschule, Hannover
Re_wind
Erik Drescher (flute)
01.09.2024 Museum Bank Jakarta
Utopiality - showcase Residency advancement of culture
28.08.2024 Nonblokekosistem, Pekanbaru
Memekak, live performance
29.06.2924 Maison du Japon, Paris
D_i_stanze
Miho Kiyokawa, Takahiro Katayama, Emanuele Grossi
17.06.2024 Studio 1 CNSMDP, Paris
D_i_stanze
Miho Kiyokawa (Baritone sax), Takahiro Katayama (Bass Clarinet), Emanuele Grossi
19.01.2024 Espace Maurice Floret, Paris
Personae Imperfectae - for 11 players
Ensemble intercontemporain and Ensemble NEXT
A piece for flute and a virtual tape that is recorded during the whole piece, about memory, nostalgia and and repetitions
Personae Imperfectae
Personae Imperfectae - (uncompleted masks) is a piece that tries to be music, as music often tries to be something else, or some other music. The concept of masking is interpreted in different ways : the acoustic-psychoacoustic effects of masking, with elements that sometimes cover each other, distorted quotes and imitations of cadences, and the musical mask as character, as stereotypes, as only an isolated version of a complex individuality: in the same way a person could be seen as the sum of the masks it decides to wear, the piece tries to find is unity between different small miniatures that sometimes overlap, masking or completing each other.
Ta Thanh Thien
Ta Thanh Thien - After being in Vietnam to research A Dao from Vu Thuy Linh and Hoang Pham, my piece focused on new notations and on the live electronics to alter the time perception of A Dao singing. Fascinated by te incredible oral tradition of this genre, the piece takes different songs from the repertoire and cut it, repeat fragments, distorce the speed and the timing of the singing, creates feedback between recording and playing from the speakers. The voice of the player seems transposed in the past (Masters) and in the future (Scholars)
Per_Form
Per_form - The setting resemble a medical - physical test, the tuba player has a digital stethoscope attached to the body, with the sound going through the live electronic, so we can. constantly hear his struggle (heartbeat) going through the score, which is generated by a program on two screens, every time with differences.
We start then to see the player / performer from another point of view, as an individual struggling, aiming for perfection while the body has is materiality, and we may think about the entertainment industry and his tendency in becoming a cultural sport, with physically challenging trainings, stressful schedules, contests, prizes and in general competitions between players.
no,me...Auf_na(H)me_1(oHne)
no,me...Auf_na(H)me_1(oHne) - is an attempt to portray a personal but common state of disorientation caused by the sudden need to communicate in foreign languages. Through granulated recordings of my voice, four sound-speech traces moves into a theoretical inner space. The words in Italian, German and English are connected by mistranslations, assonances and strange relationships between languages